FIU- Miami Beach Urban Studios

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

Women’s History Month exhibition featuring artists Anna Goraczko, Elyssa Llanso, and Tori Scott. Opening reception on March 16th from 6-8:30PM. To learn more about Anna Goraczko, click here. To learn more about Elyssa Llanso, click here. To learn more about Tori Scott, click here.

Holocaust survivor photographs by John Pregulman Lincoln Gallery January 9- March 30, 2023

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

SGCI: Multiple Layers Exhibition Location: Miami Beach Visual Arts Gallery Organizer: Jennifer Printz Highlighting the work and mentor/mentee relationship between print faculty and their current or former students across the state of Florida. Featuring: Florida Atlantic University - faculty Joseph Velasquez, Gino Castellanos Florida International University- faculty Jennifer Printz, Kayla Montizaan, Stephan Celestin Florida State College Jacksonville - faculty Patrick Miko, Taryn Towsley Florida State University - faculty Denise Bookwalter, Chelbi Robinson, faculty Daniel Luedtke, Lilliana Reinoso Miami Dade College…

This exhibit is organized by Florida International University’s Office of Global Learning Initiatives and the Miami Beach Urban Studios, in partnership with Seeds of Hope at Barry University’s Adrian Dominican School of Education, Leadership, and Human Development. It includes photographs taken by college students in Ukraine and drawings by Ukrainian children who have sought refuge in South Florida.     We dedicate this exhibit to the people of Ukraine who share their lived experience with us. They inspire us to BE BRAVE…

This exhibit is organized by Florida International University’s Office of Global Learning Initiatives and the Miami Beach Urban Studios, in partnership with Seeds of Hope at Barry University’s Adrian Dominican School of Education, Leadership, and Human Development. It includes photographs taken by college students in Ukraine and drawings by Ukrainian children who have sought refuge in South Florida.     We dedicate this exhibit to the people of Ukraine who share their lived experience with us. They inspire us to BE BRAVE…

Join Miami Beach Urban Studios as they welcome Michael Koltz, viola with special guest from the Joesf Gingold Chamber Music Festival of Miami Gary Levinson, violin and Julian Schwartz, cello. Works of Bach, Mozart and Beethoven.

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…

#CAN1872P is a public project featuring interactive gabion-style benches that contain locally salvaged materials and debris. As a sculptural project, #CAN1872P refers to Robert Smithson’s non-site containers – minimal shaped structures that function as abstract representations of actual physical places via the accumulation of materials (generally rock or sand) sourced from sites other than the place of exhibition. As opposed to a specific geographic or spatial displacement, the materials contained within the #CAN1872P project – chunks of construction-salvaged-Oolite and South…